Christian is a divorced father who likes to dedicate his children’s time. Conservative appreciated at a contemporary art museum, Christian is part of that category of people who like to protect nature and support humanitarian causes. Prepares his next exhibition called The Square, an exhibition centered around an illustration that incites visitors to altruism. When Christian is stealing his cell phone, his reaction is as violent as possible. Meanwhile, a museum communications agency launches a surprising campaign for The Square. Christian is on the verge of an existential crisis.